This morning, I was lucky enough to receive not one, not two, but three emails from the same PR company telling me about an exciting new show happening at this year’s Edinburgh Fringe. Likely knowing I’m such an enormous fan of the festival that made my life a living hell for five summers, I was more than happy to indulge them by reading the press release for what I soon discovered to be the worst idea for a Fringe show this year. This is not a feat that’s easily accomplished.
In partnership with Uber, the release said, otherwise absolutely fine comedian Andrew Maxwell will be performing twelve free 15-minute gigs in the back of an Uber. So, while you’re stuck in traffic in an over-congested city centre full of hundreds of thousands of tourists, you can listen to someone tell you topical jokes that were prepared solely to get money from this brand sponsorship.
This press release, as you may expect, is full of some precious gems and tactics that I’m shocked more PR companies aren’t attempting. Here are five of my favourites, which I’m sure will entice you into getting yourself a ticket to this capitalist charade.
There’s nowhere to hide from what will inevitably be a decidedly average bit of comedy
Let’s start with the actual concept of this show. It’s described as an “intimate” gig with Andrew Maxwell – a candidate for the last phrase I ever want used in relation to a comedy show, along with “four-hour” or “Jeff Dunham”.
That intimacy, it would also appear in the kindly attached photos, will be in the way of Maxwell, in some cases, sitting right next to you, without even the shield of the passenger seat to hide your dissatisfied, discomforted face.
The Regional Manager at Uber literally criticises his overworked, underpaid staff
As if Uber doesn’t shit on its employees enough, Alex Robertson, the company’s regional manager, was quoted in the press release as saying that “Lots of drivers who use our app like to think of themselves as comedians”. In other words, this is him saying, “I know you work hard for little money at a company that’s infamous for limiting its workers’ rights, but please, allow me to use you as the ass end of this joke, which is passive aggressively telling you to shut the fuck up.”
It’s worth noting too that he also refers to his staff as “drivers who use our app” rather than, say, “our drivers” or “the badly paid people who are, in fact, the only way this business can actually fucking run”.
The main press picture shows the Uber driver looking absolutely fucking miserable
Nothing screams, “We are kind to our staff, also please enjoy some hastily prepared jokes” like a photo of a man staring down the camera with a microphone labeled “COMEDY” and a gig-economy worker looking like he’d rather be sat in a literal pile of shit than be anywhere near this guy.
The show will be “cutting-edge observational comedy and acerbic social commentary, with the sights of the Scottish capital”
What better way to view Edinburgh Castle, the Scott Monument, and Greyfriars Bobby than with the backing track of someone screaming at you about Brexit and laughing at wailing bagpipes into an inexplicable microphone – you’re all in the back of the same fucking car – for a quarter of an hour.
The one joke, the ONLY JOKE, they’ve included from Andrew Maxwell is pathetically shit
I hope you’re sitting down (as Andrew will be about to tell you!) for this bit of humour that’s meant to sell you on this already deeply uninviting, unsettling comedy set:
“Andrew Maxwell said: ‘The Uber Comedy Car gigs will be just like my stand-up, except, of course, I will be sat down.’”
TWO TIME EDINBURGH AWARD NOMINEE. LIVE AT THE APOLLO. HAVE I GOT NEWS FOR YOU.
Thank you, Andrew, and a bigger thank you, Andrew’s PR team who are presumably the dry, humourless people who decided to put the most shit bit known to man as the one joke to include in this press release. Thank you for this brilliant bit of comedy, the true nail in the coffin in the worst sell for a Fringe show I’ve seen this year.
So, if you’re in Edinburgh over the next three days, you can get yourself a free ticket (honestly, imagine the fucking cheek if they charged) to one of the twelve gigs via the Uber app. And if you go, do tell Andrew Maxwell to thank his PR people who spammed me all morning for bringing this superb bit of comedy to my attention.
Sarah Manavis is digital culture writer at the New Statesman.This article is from the CityMetric archive: some formatting and images may not be present.